'Kong: Skull Island' Review
Image from Warner Bros.
By Darian Scalamoni |
Let’s
start with this, I thought Kong: Skull
Island was incredibly disappointing. When looking at the cast assembled,
subject matter and next building block in Legendary’s monster universe, it
looked like it was going to be a surefire home run of a blockbuster.
Unfortunately, most of these elements don’t hit and the movie falls short of
expectations.
The
film takes place in the 70s and you can tell that it has an influence from Apocalypse Now as the colors and look of
the film pays homage to the war classic. The pure eye candy for the film is the
remarkable cinematography. Throughout, the movie looks like it’s on a grand
scale and when noticing the films that cinematographer, Larry Fong has worked
on in the past (Batman v. Superman, Super
8, 300) it’s clear he sticks with his distinct style here and it works at
its best for a massive scale monster movie revolving around the iconic gorilla.
The issue with the movie is that besides for the titular Kong, the rest of the
cast falls flat.
In
terms of acting caliber, it might be one of, if not, the best ensemble of the
year with Tom Hiddleston and Brie Larson in the forefront as younger, rising
stars but also supporting performances from veterans like John Goodman, Samuel
L. Jackson and John C. Reilly can’t save the plunging script that does itself
no favors. The humor embedded within the film is cringe worthy and does not
work apart from Reilly, who next to the giant CGI ape is the true MVP of the
film. All the monster scenes within the movie that include Kong and the other
otherworldly beasts are terrific. The fight scenes are great and provide a
glimpse of the power that Kong has and how he’ll look for the upcoming Godzilla vs. Kong movie set for a Summer
2020 release.
The
issue here is more of something that happens in other tentpole movies like the
Transformers movies where the human characters make silly decisions and aren’t
very likable. Tom Hiddleston’s character of mercenary James Conrad was a huge
disappointment as he’s barely developed and kind of just thrown into the story
because of his “abilities” and dashing good looks. Brie Larson is even less
developed as war photographer Mason Weaver. Coming off an Oscar win, you’d
think that the writers would give her character more to do but she is often in
the background making reactionary faces to what’s going on around her. Other
actors in the film like Thomas Mann, Jason Mitchell and Corey Hawkins are
underutilized and could’ve really been played by anyone.
The dialogue
spoke by the characters is even worse than the character development though as
they seem like they’ve been taken straight from a TV movie, and not one from a
premium network like HBO. The tone developed by director Jordan Vogt-Roberts (The Kings of Summer) didn’t help at all
either. The quick edits lead to pacing issues and frankly, take you out of the
movie. It seems very often throughout that the scenes are just one after
another with no pure story building even with the mythology and adding a
layered style to make an interesting blockbuster that just doesn’t work as well
as it should.
Kong: Skull Island often feels like a
B-movie when it should ultimately be one of the best blockbusters of the year.
Unfortunately, the cheesy dialogue, conflict filled with clichés and themes
that are barely developed let alone explored further make the movie less of a positive
resurgence than its former monster movie back in 2014, Godzilla. Am I excited to see the two mega monsters battle? Of
course, I am, but here’s hoping they develop a better script with human
characters that the audience cares about.
5.9/10
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